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Autumn day. On young birches, yellow, with a golden tint, leaves. The yellowed grass had already covered the ground. At the edge of the forest grazed a herd, a little boy shepherd. But suddenly a fascist plane flew over, directed the car to the ground, he fiercely fired from his machine gun.
The boy fell to the ground, his head buried in mowed grass, in an unnatural pose. A bullet hit him right in the head. He pressed his cheek against the dry grass, clinging tightly to the cold earth. His arm is extended. The shepherd's hat and whip lie on the side. Near the boy, on his hind legs is a dog. She howls longly with sadness, cutting through the steppe silence with her cry.
This is a howl about unfulfilled hopes and the broken life of his friend.
Just a moment ago, a lead shower of bullets stopped his life. A fascist plane is seen flying over a field of winter crops. He is gradually hiding in the distance of a clear and clear sky screaming about peaceful life. The artist portrayed him as small, making it clear that he is a stranger in these parts.
The herd of animals fled from the shooting, but begins to converge to his shepherd. A fascist bullet touched two cows and a calf lying among birches. Sheep lost roam around her cowgirl. Against the background of peaceful autumn nature, the crime committed looks cruel and monstrous.
It was no coincidence that Plast chose the autumn period, which sets off with his sad beauty, the tragic events of the death of a little shepherdess. The described nature is perceived by the viewer as a lyrical accompaniment to a sad, sad song filled with deep tragedy.
Looking at the picture, tears roll and fists clench. Hatred and anger is born towards fascist haters. You feel pain and resentment for the torn life of a little boy. This plot of the picture is hard to forget. The picture is saturated with silence, among which the dramatic nature of war erupts.
Having Dinner Picture Serebryakova